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・ Marie-Luce Waldmeier
・ Marie-Lucie Tarpent
・ Marie-Françoise Audollent
・ Marie-Françoise Bucquet
・ Marie-Françoise Clergeau
・ Marie-Françoise Grange-Prigent
・ Marie-Françoise Guédon
・ Marie-Françoise Hervieu
・ Marie-Françoise Pérol-Dumont
・ Marie-Françoise Roy
・ Marie-Frédérique Ayissi
・ Marie-Félicie des Ursins
・ Marie-Félicité Brosset
・ Marie-Gabriel Tissot
・ Marie-Gabriel-Florent-Auguste de Choiseul-Gouffier
Marie-Gabrielle Capet
・ Marie-Galante
・ Marie-Galante Airport
・ Marie-Galante Passage
・ Marie-Gaïané Mikaelian
・ Marie-Geneviève Meunier
・ Marie-George Buffet
・ Marie-Georges
・ Marie-Georges Pascal
・ Marie-Guillaume-Alphonse Devergie
・ Marie-Guillemine Benoist
・ Marie-Guite Dufay
・ Marie-Helene Carleton
・ Marie-Helene Östlund
・ Marie-Hortense Fiquet


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Marie-Gabrielle Capet : ウィキペディア英語版
Marie-Gabrielle Capet

Marie-Gabrielle Capet (1761–1818) was a French Neoclassical painter. She was born in Lyon on September 6, 1761. Marie-Gabrielle came from a modest background and her previous background and artistic training is unknown, but in 1781 she became the pupil of the French woman painter Adelaide Labille-Guiard in Paris. She excelled as a portrait painter, and her works include oil paintings, watercolours and miniatures.〔(【引用サイトリンク】title=Marie-Gabrielle Capet )
==Life==

Capet was born at Lyon in 1761. In many countries of Europe, the Art Academies were the institutions that promoted artists and also was responsible for training artists, exhibiting artwork, promote a certain style, and promoting the sale of art. In France, the influential Academy of Art in Paris until the French Revolution had only fifteen women among its members, and many were daughters or wives of members anyway. In the late 18th century, the French Academy decided not to admit any women at all. Because of this, Marie-Gabrielle Capet became a pupil of Madame Vincent, (Adélaïde Labille-Guiard. Capet moved at the age of twenty to Paris to be the apprentice of Adélaïde Labille-Guiard (1749-1803). She moved in with her teacher in the Louvre, and she lived with Adélaïde Labille-Guiard until her teacher died.〔(【引用サイトリンク】title=marie-gabrielle+capet+biography )〕〔(【引用サイトリンク】title=marie-gabrielle+capet+biography )〕〔(【引用サイトリンク】title=Women Artists in Nineteenth–Century France )〕 Even when Adélaïde Labille-Guiard married the painter François Vincent in 1799, she continued to live in their home. Many of her pastel paintings were portraits.
〔(【引用サイトリンク】title= Marie-Gabrielle Capet )〕〔Heller, Nancy G., ''Women Artists: An Illustrated History'', Abbeville Press, Publishers, New York 1987 ISBN 978-0-89659-748-8〕
She exhibited from 1781, producing a large number of portraits. She counted among other customers several members of the royal family, and other members of Paris society, such as the lawyer Pierre-Nicolas Berryer and the playwright Joseph Chénier.〔(【引用サイトリンク】title=marie-joseph-chenier-1800 )
Among her works the best known are those of Mesdames Adelaide and Victoire, Madame Vincent surrounded by her pupils, Mlle. Mars, and Jean-Antoine Houdon. At that time the Academie had limited the members of women painters to only four woman members.〔(【引用サイトリンク】title=Self–Portrait with Two Pupils )〕 She died in Paris in 1818.〔(【引用サイトリンク】title=Articles/Capet )

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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